The fourth edition of Malini Awasthi’s ‘Chandan Kiwad’ was recently launched, marking a significant moment for the renowned folk singer and columnist. This deeply researched book, a project spanning two and a half years, is dedicated to understanding the very essence of folk music. Awasthi expressed her commitment to exploring the origins, composers, and historical performance practices of these enduring songs.
Speaking at the Indira Gandhi National Centre for the Arts, Awasthi emphasized that her writing is intrinsically linked to music. The book’s cover line, “Guiyā̃ Darwajwa Mein Thāṛī Rahūn,” is drawn from a classic Banaras thumri, illustrating this point. The book itself offers a window into the lives of ordinary women, portraying them in relatable domestic activities like reading, sewing, and singing. Awasthi’s extensive stage experience of four decades has given her a unique perspective, allowing her to connect deeply with the characters within the songs.
‘Chandan Kiwad’ is an invitation for anyone with an interest in cultural heritage to immerse themselves in its pages. Awasthi noted that the phrase on the cover encapsulates this welcoming spirit. A particular highlight for her is the exploration of the popular Raag Bhairavi composition, ‘Mat Ja Mat Ja Jogi,’ which delves into the traditions of jogis and the spiritual lineage of Guru Gorakhnath. The book also features an analysis of Amir Khusro’s emotive song about a daughter leaving home, “Kahe Ko Byahi Bides O Lakhia Babul More.” Comprising 27 chapters, ‘Chandan Kiwad’ is a rich tapestry woven from Awasthi’s passion for music, literature, and scholarship, revealing how classic songs continue to offer new meanings to every generation.