Agnihotri’s ‘The Bengal Files’ delivers a cinematic experience that is both powerful and unflinching in its portrayal of the communal violence that unfolded in Bengal. The film doesn’t shy away from the harsh realities and brutality, offering a stark look at a forgotten period in Indian history, and presenting the victims, including the Hindu community. The film moves between pre- and post-Partition timelines, linked by a survivor, revealing how little has changed in the political landscape regarding communal divides. The writing is sharp and rigorous, prompting reflection on the architects of modern India. The film’s cinematography is vital and compelling. The performances are effective, particularly Darshan Kumar and Saswata Chatterjee. While some may disagree with its perspective, the film demands attention and offers a perspective that has been largely ignored.
Agnihotri’s ‘The Bengal Files’ Unveils a Brutal, Unvarnished Truth About Bengal’s Past
